Participating Institutions

Rembrandt van Rijn, The Money Changer (Parable of the Rich Man), 1627, Staatliche Museen zu Berlin, Berlin, Germany, Art Resource
Rembrandt van Rijn, The Money Changer (Parable of the Rich Man), 1627, Staatliche Museen zu Berlin, Berlin, Germany, Art Resource
 Triptytch  Altarpiece for the Private Devotion of the Death of Mary, Freiburg (?) Workstation, circa 1465-1490, Stiftungsverwaltung Freiburg, Germany
 Triptytch Altarpiece for the Private Devotion of the Death of Mary, Freiburg (?) Workstation, circa 1465-1490, Stiftungsverwaltung Freiburg, Germany
The Altarpiece of the „Seven Sorrows of Mary“, Albrecht Durer, 1496-97, The central panel is at Alte Pinakothek, Münich, Germany. The side panels (seven of them) are at the Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden. The central panel became property of the state c. 1804. It was once made for the chapel of Wittenberg Castle of the elector Frederick the Wise. During the reformation the panel was sewn in single scenes; the central part with the Madonna went to southern Germany (Monastery of Benediktbeuren), while the individual scenes survived in Protestant Saxony.
The Altarpiece of the „Seven Sorrows of Mary“, Albrecht Durer, 1496-97, The central panel is at Alte Pinakothek, Münich, Germany. The side panels (seven of them) are at the Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden. The central panel became property of the state c. 1804. It was once made for the chapel of Wittenberg Castle of the elector Frederick the Wise. During the reformation the panel was sewn in single scenes; the central part with the Madonna went to southern Germany (Monastery of Benediktbeuren), while the individual scenes survived in Protestant Saxony.
 
Altarpiece with the Death of Virgin, c. 1470, tempera on wood, 192.5 x 113 cm, wings 192.5 x 56.5 cm, Inv. No. VO 1267-1269, Metropolitan Chapter of St. Vitus on long term loan to The National Gallery in Prague, Copyright – Metropolitan Chapter of St. Vitus
Altarpiece with the Death of Virgin – the central panel (detail), c. 1470, tempera on wood, 192.5 x 113 cm, wings 192.5 x 56.5 cm, Inv. No. VO 1267-1269, Metropolitan Chapter of St. Vitus on long term loan to The National Gallery in Prague, Copyright – Metropolitan Chapter of St. Vitus
Christ and the Woman Taken in Adultery, tapestry, Netherlandish, 16th Century, National Gallery of Art, Washington, D.C.
Christ and the Woman Taken in Adultery, tapestry, Netherlandish, 16th Century, National Gallery of Art, Washington, D.C. (Click to visit their website)

This is an educational group effort with contributions of images and information from institutions which believe that Vision Aids deserve greater recognition. Therefore many have already begun to participate in our website and we acknowledge our deep appreciation for these efforts. Some images from the establishments listed below are already on the website, while others will be added relatively soon as more Slideshows and Interesting Topics are developed.

We express our sincere thanks to these institutions for their dedication to preserving not only antique vision aids but all types of artifacts which represent mankind’s developmental history through the ages. This list keeps growing with time.


Europe

Two draw spyglass with a panoramic painting of Paris on porcelain, late 18th century, Musee de la lunette
Two draw spyglass with a panoramic painting of Paris on porcelain, late 18th century, Musee de la lunette

Africa


Antique surgical loupe, Cape Medical Museum, South Africa

Asia

Horn-rimmed folding spectacles with string temples and round wood case with fine carved cover, China, 19th century, Galleria Guglielmo Tabacchi – Safilo (Padua, Italy)
Horn-rimmed folding spectacles with string temples and round wood case with fine carved cover, China, 19th century, Galleria Guglielmo Tabacchi – Safilo (Padua, Italy)

North America (Larger Institutions)

Ivory opera glasses, LEREBOURS,  2nd quarter 19th century, Society for the Preservation of New England Antiquities
Ivory opera glasses, LEREBOURS, 2nd quarter 19th century, Historic New England, Boston, MA

Local United States Historical Societies and other organizations

Six sided spectacles, very unusual, mid 19th century, Harvard Historical Society
Six sided spectacles, very unusual, mid 19th century, Harvard Historical Society

Organizations and Businesses

Tooled and embossed leather case with petit point tapestry insert, circa 1870, Shelburne Museum, VT
Tooled and embossed leather case with petit point tapestry insert, circa 1870, Shelburne Museum, VT


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